AI Group porn

AI Group porn: 18 ready scenes plus a free generator - describe your own and get it in a minute. Fictional 18+ characters.

Start generating No install · 18+ only · fictional characters

AI Group porn - 44 scenes on Swaplse tagged group, made by 21 creators, newest September 4, 2026. They have been opened 3,585 times. Every character is generated and 18+. You can browse them free, or describe your own version and have it back in about a minute.

Generate group - free to start, no install.

What is already here

These 10 are the ones on the shelf above; the titles link straight to the frame, where the prompt and the settings are visible.

From a line of text to a group scene

  1. Choose the format first: an image if you want to iterate cheaply, a short video if the movement is the point. Video output is a few seconds long by design.
  2. The description arrives pre-filled as group, cinematic light, ultra detailed, 18+. Swap in your own words - hair, body, setting, camera - one change at a time so you can see which word did the work.
  3. Optional: upload a frame to fix the character instead of letting the model choose one.
  4. Publishing is a choice. Nothing leaves your account unless you send it to the gallery.

Three is where counting ends

Say two figures and you get two. Say four and you get three, or five, or three with a spare arm. The image pass has no counter, so the number is a weak hint sitting against everything else in the frame. Write the count first and write it once: two figures, one kneeling. If the scene needs more bodies, get them by framing rather than by arithmetic, since a shoulder entering from the edge implies a fourth without asking the render to draw one.

Give every figure an anchor

Identity collapse is the second failure. With no distinguishing traits the render averages the faces into near-twins, then borrows a limb from one and reattaches it to another. An anchor is one trait per figure that will not blend: hair length, hair color, build, position in frame. short dark hair on the left, long blonde on the right holds far better than two women.

Contact points are where limbs fuse

Wherever two bodies touch, the render decides which surface owns the pixels and often splits the difference: a forearm that becomes a thigh, four fingers on a hand that already has five. Hide the junction on purpose. Ask for occlusion, near figure blocking the hip of the far figure, or crop so the contact sits at the frame edge. Wide full-length frames with three bodies are the worst case, because every joint is visible and every joint is small.

What changes between solo work and a crowd

A solo prompt spends every word on one body, so you can afford skin texture, a named lens and a specific light. Add bodies and that budget is gone: description now buys count and separation instead. Trio work is the last point where each figure can still carry detail. Beyond that, treat description as staging, who is where and who faces which way, and stop writing about pores altogether. The same trade applies to light: one figure can carry a named lamp and a stated direction, while four figures need a single broad source just so every body stays legible at once.

Related tags

Same generator, different scene. These already have work published under them.

FAQ

How do I imply more bodies than the render can draw?

Frame them out. A hand on a shoulder from off-camera, a knee at the edge, a shadow across the wall. Each adds a figure the render never has to build, and bodies fully in frame are the ones that go wrong.

How many group scenes are on this page?

44 right now. The page is rebuilt from the live gallery, so the number moves as people publish.

Which figure loses its hands first?

The one furthest from the front of the prompt, then the one furthest from the camera. Rear figures render small, and small hands are where fingers merge. Crop back figures at the wrist or place them behind another body.

Is a wide shot ever worth it here?

Rarely. Every visible joint at low pixel count is a chance to fail. Waist-up on two figures beats full-length on four almost every time, and it keeps faces large enough to stay separate.

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